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This four-movement suite of traditional carols includes Once in Royal David's City; Sing We Now of Christmas; Still, Still, Still and Angels We Have Heard on
Recently celebrating its 50th year in print, this breathtaking choral essay is simply one of the finest choices for Advent or general services with a text based on Revelations 22. Conceived for a
This setting of the beloved Christmas carol alternates the traditional melody with original material that beautifully illuminates the text. From beginning to end, the silky smooth flow continues as the
A cappella choirs will enjoy this ethereal arrangement of the traditional Christmas carol. The melody is easily identifiable throughout, and a quiet energy makes it an exciting setting.
Are you looking for the most beautiful a cappella SATB (Divisi) version of this Polish carol? Then look no further. Choirs and congregations alike will love this fabulous new arrangement. Highly
Neil Harmon's lovely new music refreshes this timeless Christmas carol text. This anthem is scored for SATB voices with some divisi. The men briefly divide into four parts (with cues for two parts), and the
A moving text by Paul Hoffman is the inspiration for this quiet, lovely original Christmas anthem. The lyric flow of each stanza slows to its cadential point to ponder and appreciate Beauty, Hope, Love,
Beginning softly and atmospherically, this lovely setting radiates joy and peace. Building with a march-like quality, it explodes with majesty before ending in the quiet spirit of the opening. Perform
This setting features a piano accompaniment that is both simple and ethereal. This masterful yet approachable setting evokes a wondrous calm that is perfect for this carol. There is minimal vocal divisi.
This beautiful setting of Silent Night employs the original text with new music scored for SATB a cappella voices and optional descant. Color reigns supreme as the text is almost treated in a
The familiar Austrian carol is presented in a tender choral setting with keyboard and optional flute, oboe, and string quartet accompaniment. The text is adapted from the carol, and close harmonies
Matthew Culloton has created a fresh, stunning arrangement of this popular Christmas carol. Though a cappella, the lower three parts sometimes act as accompaniment with neutral syllables, granting
"When Christmas morn is dawning, help me to see the child in the manger, a mirror, God, of Thee." A beautiful melody aptly conveys the charming text and reflects German and Swedish folk influences. The